Irakal

Mathews grew rich on rubber and rules by force. He built the business by buying off police and union leaders. He has illegal trades running as well. The household is arranged around that order. His son Baby grows up inside it. The boy turns toward violence in time. What he does keeps getting heavier. Mathews sees the result of his own arrangement at home. He begins to repent what he has done. By then the thing has slipped out of his hands. The rest of the family is caught in the same rot. George treats violence as an outcome rather than a trait. The film digs into where that violence comes from. The telling moves through the shape of a thriller. K. B. Ganesh Kumar and Thilakan appear in the one hundred thirty seven minute film, an Indian production K. G. George finished in 1985.