Tutto l'amore che c'è

An unnamed town in Apulia in the seventies. The three daughters of an engineer from the north arrive with their father, who has come to run the factory, and the young people of the town are thrown into turmoil. Love affairs, betrayals, siphoned-off state money and broken promises all wind through each other. We see it through Carlo, the youngest, the character standing closest to the director's own boyhood. Sergio Rubini is telling the south from his own memory again. The difference between north and south is a matter of class here too: the arrivals are free, the ones who stayed are in debt. The film sets adolescence beside small-town morality and shows how each bends the other. Vittoria Puccini appears in one of her early parts. The tone is not nostalgic; someone is looking back, and while looking is also asking for an accounting.